Members booking has now started for the Three Choirs Festival, this year inn Worcester, in the heart of “Elgar Country”. The first Cathedral concert on Saturday 22nd July will begin with Elgar (Great is the Lord), and there will be, as always, the Dream of Gerontius (Roderick Williams) but its highlight, conducted by Peter Nardone, should be Michael Tippett’s A Child of Our Time, written in wartime, confronting violence, in the belief that good can vanquish evil. Benjamin Britten will be on the programme too (Four Sea Interludes) : not a composer normally connected with the Three Choirs, but included because the Festival reaches out to all. Fundamentally, the Three Choirs Festival is Christian Communion, though you certainly don’t have to be Christian to be welcome, and this year’s themes deal with issues of faith and hope in troubled times.
Thus Mendelssohn St Paul on the evening of Sunday 23rd July, where the forces of the magnificent Three Choirs Festival Chorus will be heard in full, magnificent glory, with the Philharmonia Orchestra conducted by Geraint Bowen. In the days of the early Church, the faithful were oppressed. But Paul switched from persecutor to convert, remaining firm in his mission, even unto martyrdom. Bach’s influence runs powerfully through this oratorio. There are wonderful chorales, ideally suited to the Chorus, and strong, dramatic parts for the soloists, all built on an austere bedrock that connects to the concept of a radical new faith whose adherents were prepared to die for what they believed in.
Even more rough-hewn and almost savage, Janáček’s Glagolitic Mass on Wednesday 26th July. In early Czech tradition, thousands of worshippers would gather together to sing in communal affirmation. Janáček, an atheist, who played organ in churches, aimed for something quite unorthodox. Thus his use of an old Slavonic dialect, rather than Latin. His passion for the outdoors inspires the piece. “My cathedral “, he said, was “the enormous grandeur of mountains beyond which stretched the open sky……the scent of moist forests my incense”. I’ve written extensively about the Glagolitic Mass and its composer, please see HERE and HERE. This evening’s concert will also feature Torsten Rasch A Welsh Night and Richard Strauss Metamorphosen.
“An English Farewell” for the final night of the season on 29th July, a superb programme with Gerald Finzi’s Die Natalis with Ed Lyon, whom I should really like to hear in this piece as he’s very impressive. Dies Natalis is transcendental, mystical and ecstatic by turns : utterly unique, and one of the quirkiest masterpieces in English music. Again, it’s a piece I’ve written a lot about over the last 20 years. Please see HERE and HERE for example. Lots more on Finzi on this site, too. Dies Natalis addresses the miracle of birth, but Herbert Howells’ Hymnus Paradisi addresses the horror that is death, particularly the death of a child. Heard together, Dies Natalis and Hymnus Paradisi should be quite an experience. One a star turn for a soloist, the other a star turn for choirs. Please read HERE what I’ve written about Hymnus Paradisi in the past. Also on the programme, Raloh Vaughan Williams’s Serenande to Music, which will give sixteen singers a chance to shine. The Philharmionia will be conducted by Peter Nardone.
But the Three Choirs festival is much more than big Cathedral concerts. Part of its appeal lies in the friendly, community atmosphere, where people come together for smaller-scale concerts, talks, events, excursions and meals. Literally, breaking bread and sharing in the spirit. Choral Evensong every evening, organ recitals (including Saint-Saëns Symphony no 3), early and Tudor music, premieres of new work, Shakespeare plays, a visit from the Choir of King’s College Cambridge, and this year an unusual afternoon of Tudor Symphonies (with Andrew Carwood and the Cardinall’s Musick). .Visit the Three Choirs Festival website for more.
Original Source: Three Choirs Festival, Worcester 2017