The ENO Chorus will be doing Brahms Ein Deutches Requiem (A German Requiem) in three churches around London on 15th, 16th and 29th April. But not the usual Brahms German Requiem. Instead, the relatively less well known “London” version from 1871. It’s not a transcription but a through composed chamber adaptation written by Brahms himself. The ENO chorus will be conducted by Mark Wigglesworth, with Eleanore Dennis and Benedict Nelson as soloists with Kate Golla nd Chris Hopkins as pianists. Get tickets here.
The ENO Chorus will be using two pianos to better “stretch” the balance. this also works better because it showcases the piano parts. The crucial line of the music is articulated clearly, so it feels understated and yet definitive. When the famous melody appears, and the voices intone, the music can seem like a moment of private contemplation. This foundation allows the voices to spar, unfettered. While almost no-one is in the superhuman league of Accentus (then with Sandrine Piau) the ENO Chorus is extremely good, and one of the company’s great assets. Supportbthem – they are too good to be wasted. Ideally, if these concerts succeed, they could bring extra income as well as giving London a new specialist, fully professional choir, with a mission exploring unusual choral repertoire. Please seemy piece on helping the ENO to make money by capitalizing on its unique position in the market, much more effectively.
Original Source: Not the usual Brahms German Requiem – ENO chorus